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You and I while we can, through the transitive nightfall of diamonds.”. In a 1982 interview with David Gans, drummer Mickey Hart admitted, “He had the chance of becoming one of us. “It’s versions like this that make me think the band must have even surprised themselves. Grateful Dead guitarist and singer Jerry Garcia is considered one of the best musicians of all time that ufortunately died too soon. The music is part 1 of the first set of 7/18/90, sadly one of the last with keyboardist Brent Mydland, who … Oakland-Alameda County Coliseum, Oakland, Calif., Oct. 31, 1991. No question. Speedball is a dangerous mixture, often more so than the sum of the parts due to drug synergy.The original speedball used cocaine hydrochloride mixed with morphine sulfate, as opposed to heroin. Stephen,” and “The Eleven” and “Turn On Your Lovelight.” The live version of the song that began this sequence, “Mountains of the Moon,” was not released until the full four-night run of the Fillmore shows was made available in 2005. “Brent and I … The cause of death was undetermined. The band came onstage, and I hit a circuit breaker. But when she found herself unable to keep current on the fees, her things were auctioned off, Storage Wars-style. Before checking out these 12 performances, it’s worth reading Robert Hunter’s lyrics here; this version includes the final coda, never performed live. Fillmore West, San Francisco, Feb. 27, 1969. "One of the reasons I left was that I wanted to forge my own path," she says. "I wish to God they didn't have that crew. It’s historically interesting for the banjo riff at the very end, along with the only recording of the lyricist Robert Hunter’s voice on a Grateful Dead record, performing what he called a “word salad” in the final seconds. 8. Forget it. "'Who's this pretty lady?' ", Brightman and Cantor-Jackson traveled together on tour for years and were friends, though the nature of their different jobs meant their work didn't overlap very much. A Rolling Stone feature on her from 2014 begins with this apologetic lede: "Donna Jean Godchaux knows what you're thinking, especially if you're a Deadhead: That her voice wasn't always spot-on.". It's probably also fair to say that Donna wins the prize for most-criticized former band member. "I hated it, but there were times I had to do it," she says. It brings up something you can see.” The chorus echoes T.S. Brent Mydland, the keyboardist for the rock band Grateful Dead since 1979, died yesterday at his home in Lafayette, Calif. Nine months after the “Live Dead” version, the song has become quieter and more reflective. The cause of death was undetermined. "They did Shakedown Street coked out. That was where Jerry Garcia, after a gig opening for the Mahavishnu Orchestra with keyboard player Howard Wales, invited her to join the gang. ", "The Grateful Dead were, absolutely, sexist," McNally tells me. The soldering skills she learned on Owsley's sound crew, she says, come in handy in her practice. His observation comes in a mini-chapter titled "Interlude/Intermission: 'Waits Backstage While I Sing to You,'" a reference to the American Beauty track "Sugar Magnolia," that ode to the capable and patient band girlfriend ("takes the wheel when I'm seeing double / pays my ticket when I speed") usually assumed to have been inspired by Frankie Weir. “It sounded good at the time. Ed Perlstein/Redferns Weir … This happened during the very last performance of the song, in fact — on March 30, 1994, in Atlanta. Feb 10, 2020 - Explore Michal Strickland's board "Brent Mydland" on Pinterest. Brent Mydland was born on this day in 1952 and we remember the Grateful Dead keyboardist by sharing a stellar montage. 1. Brent Mydland & The Band? Interview: Dan Healy. When they split, she felt alienated and frozen out, as … Now and again I imagine a world in which Jerry Garcia is alive once more, and the band comes together, to finish what they started that night, and we are all young again. "That was really hard," she admits. Phone calls from listeners. Fillmore East, New York City, Sept. 19, 1970. Running time: 26:40. The same chapter, set in the '80s, quotes a roadie overheard saying "I love the sight of spandex in the morning. "The women formed a community, and that community still exists. It's a mediocre album. Her husband Rex had been killed in a car wreck in 1976, and at some point after that, she dated Dead keyboardist Brent Mydland. At the gift shop of the Warhol show at the Whitney right now you can buy a set of Warhol-themed skateboards for $1,750. He was 37 years old. Cantor started out putting up posters around town for the Avalon, then moved, in swift order, to running concessions, running the box office and finally, traveling to Denver in late 1967 to help the Helms' Family Dog collective set up an outpost. Cantor had been solidly ensconced in the Dead camp — which was expanding as colorfully as the images in a liquid light show at the Avalon — for several years when Candace Brightman signed on for her own long, strange, multi-decade trip. In a particularly bitter twist of irony, it was announced in early 2018 that Brightman — who had carefully, delightedly crafted the way bands were seen for more than 40 years — is losing her vision to age-related macular degeneration. Brent Mydland With the addition of Brent, the band got not only a piano player, but an aggressive Hammond B-3 organ player, a synth player, AND someone to handle the vocal harmonies (I always thought he sounded a helluva lot like Michael McDonald of the Doobie Bros.). "I still talk to women I met in 1968 [through the Grateful Dead]" she says. Fillmore West, San Francisco, Feb. 27, 1969. Betty Cantor was a cofounder of Alembic, the Dead-associated gear workshop and studio established in 1968; Phil Lesh's ex Rosie McGee, who had changed her name from Florence Nathan, worked there and at Fly By Night well after the breakup. It’s that uncertainty that I’ve always loved best in the composition, its sense of infinite possibility. Here are 12 classic performances, starting with the best known version, performed 50 years ago today. The Marquee for the shows read The Warlocks. By the time Cantor was researching it, the pendulum of official opinion was already starting its swing backward; in 1966, California and Nevada became the first states to criminalize possession of the drug, and a federal ban would follow two years later. She enjoyed a lot of it. The budding teen scientist wanted to draw her own conclusions, though, and for reasons that crossed over into the personal. In the end, Cantor chose mics and tape over hot dogs, though, working as an engineer and producer on official live and studio albums from 1968's Anthem of the Sun through 1981's Dead Set — and perhaps more importantly, recording hundreds of reels of soundboard tape. Garcia would die of a heart attack 17 months later, on Aug. 9, 1995. She also has an ongoing gig with the Chris Robinson Brotherhood and its associated projects, whose jam/Americana fandom overlaps heavily with Deadheads, recording their live shows as "Betty's Blends." Mydland spent most of his childhood in Concord, California. Meanwhile, back in the '60s, Cantor didn't run away with the Grateful Dead circus immediately. Stanley, who is at work on her own history of women in the sprawling Grateful Dead scene, tells me that the de facto sexism of the rock world was actually a bit of a blessing for her and Cargill during their time with Owsley. On that occasion, they were joined onstage by the author Ken Kesey, who was himself in mourning over the loss of his son. 9. Our children had children, and the grandchildren are friendly.". There are a lot of strange things to uncover in “Dark Star”; ghosts and chaos and watermelons and clocks may be the least of them. But it’s more than the tune that keeps changing. '", "Scrabbling around lower Manhattan with weird jobs was a big adventure," she says. I think that sounds like fun.”. Eliot’s “Love Song of J. Alfred Prufrock.”, Several weeks later, Garcia requested a second verse. Running time 32:09. Still, McNally makes clear, it was no gender-neutral utopia. “All those people are the most untalented bores that ever lived,” he said of the San Francisco scene. Spouses and ex-spouses, and children – like Jerry Garcia's daughter Trixie – make up most of the female representation in the movie. 11. Fillmore East, New York City, Feb. 13, 1970. The Rolling Stone piece describes that community with the term karass, a Kurt Vonnegut coinage from his 1963 sci-fi novel Cat's Cradle — from which the band got the name of its music-publishing company, Ice-Nine — meaning a group of otherwise-unrelated people who are destined to go through life linked to one another. Just how it all fits together." "I'm sure I could've gotten tickets, though," she says. I just liked to have a lot of fun, and I didn't like people who took themselves too seriously... and the Dead were so into absurdity, which is one of my favorite things in the world.". Miami Arena, Miami, Oct. 26, 1989. She sang in the band for almost all of the 1970s, while her husband Keith was taking his turn in the ever-shifting Dead keyboardist's chair (the perpetual morbid joke being that to play keys for the Dead is like taking on the drummer's job in Spinal Tap.) Sometimes this part of the tune gives way to something else — jazz riffs, dance music, cowboy songs, the ballad “St. The interview also had another really funny moment, where a fan asks if they're planning on bringing back anymore of the old tunes, like lost sailor and saint. The office, the entry goes on to say, was "primarily the domain of strong, unpretentious women," represented heavily in accounting, fan relations, licensing and publishing and other roles. That's corroborated by the detailed 1994 reference text Skeleton Key: A Dictionary for Deadheads. The Family Dog at the Great Highway, San Francisco, Calif., Nov. 2, 1969. There are versions of it in which the audience is clapping along, like it’s a dance tune. He composed the first verse lying on his bed, listening to the band in a rehearsal space nearby. Fifty years ago, the band recorded the most entrancing version of its most hypnotic composition. McNally offered some perspective in defense of the singer. 6. Lou Reed, the heart of Andy Warhol’s house band, the Velvet Underground, didn’t have much patience for the Dead. "A lot of women were unable to come into their own until they actually left the scene," she continues, although many formed what she called "cottage industries" that orbited the band: travel agencies, fashion design, poster art, ticketing, newsletters — and many also stayed in touch, even after leaving the active scene. It refers to the crew's space in the office as the "boys' room," never mind that newly-hired Brightman appears briefly in the piece running lights and directing a union crew — and that surely, as Cantor was a member of the sound team, the room would have been her domain, too. "There was one time when I got down off the ladder and went over and tried to beat [stage manager and guitar tech] Steve Parish up. That whole thing never took with me at all. There is electronic weeping. This week's archival GD Hour podcast continues the interview with legendary GD roadie Steve Parish upon the publication of his memoir, Home Before Daylight. Brent Mydland, the keyboardist for the rock band Grateful Dead since 1979, died yesterday at his home in Lafayette, Calif. Growing up in the late 1950s and early '60s, Betty Cantor developed an early talent for tinkering. 10. Running time: 30:16. and then made her way to New York City, a childhood dream. Recorded on the Dead’s final studio album Built to Last, this lilting track was one of four that Brent contributed to the record, more than either of the two previous studio albums combined. During her junior year, Cantor had written a term paper on the history of psychedelic drugs. "When we traveled, like to Monterey Pop, and we were at the airport – to just be a girlfriend sitting on the trunk looking pretty was a way of protecting the fact that we had all these chemicals with us," she says. ... We lost Brent [Mydland… and watching Brent and Jerry interact during the Not Fade Away was so heartwarming. In the age of the Grateful Dead’s foray into Americana, ‘Dark Star’ from 2/13/70 demonstrated that they were still able to pull off improvised, psychedelic/melodic bliss.” Running time: 29:42. Brightman became the Grateful Dead's first touring lighting designer, hitting the road with them (and Betty Cantor) for the Europe '72 tour that would become an iconic live triple album of the same name. The weariness in his voice is heartbreaking. The Brilliant Uncertainty of the Grateful Dead’s ‘Dark Star’. Brent Mydland joined the band as keyboardist in 1979 and gave the Dead a jolt of new energy. In her 2012 book Owsley and Me: My LSD Family, Gissen (now known as Rhoney Gissen Stanley after taking on Bear's last name, though the two never married) writes about how the Dead provided a backdrop and a context for her own personal awakening: expanding her mind, questioning her assumptions and becoming confident in making her own choices — including the choice to leave the group's immediate orbit in the early 1970s, once she had a young son to care for. Welnick had replaced Brent Mydland, who died of a drug overdose in 1990. "There was so much voodoo going on with the flower children, 'What sign are you' or, 'Let's throw the I Ching,'" she tells me. Reason tatters, the forces tear loose from the axis. Bob Dylan once described folk music this way: “It’s the only music where it isn’t simple. Questions about the relationships I have grown some real appreciation for Brent and his time with the band. "The universe is math, right? The band is known for having many complex lyrics and back in 1980 in an interview with Relix the musician talked about meaning of the songs. In an interview he commented that: "my sister took lessons and it looked fun to me, so I did too. "So I came back Friday, but there was nobody there to teach me," she tells me on the phone from her home in Hawaii. Arguably, when the tale was reported in multiple publications, including Relix and the New Yorker, it also (deservedly) helped revive the sparkle on her image in the scene and beyond. Women, the gist of the chapter seems to be, were full-fledged karass members on their own Grateful Dead path — divorces, breakups and job changes notwithstanding. She remembers sometimes pretending not to be in charge, in order to make her job go more smoothly with venue staff – although still, her tools might get stolen or her ladder moved when she was hanging lights, sometimes by her own team. The next three versions were selected by Mr. Lemieux, the rest by me. Brent Mydland joined the band as keyboardist in 1979 and gave the Dead a jolt of new energy. brent mydland rules, reigns, and lives forever. Running time: 26:40. Searchlight casting for faults in the clouds of delusion.”, And then, the Prufrockian chorus: “Shall we go? And here’s our email: letters@nytimes.com. She had some experience booking bands for events at her high school back across the bay, so here in her new cosmic counterculture world, it made sense to get a job at the Avalon Ballroom, the historic venue on Sutter and Van Ness where promoters like Chet Helms and Bill Graham booked acid-friendly groups like the Dead, the 13th Floor Elevators and Jefferson Airplane. We’d like to hear what you think about this or any of our articles. Mydland succeeded Keith Godchaux, who died in a car crash shortly after … That's where she met the Grateful Dead, with whom she'd eventually travel thousands of miles over close to 20 years, recording hundreds of hours of tape and becoming one of the many female workers, supporters and associates who shaped the story of America's most weird, colorful, sui generis rock and roll band. The band performed on Halloween, in the wake of the death of their friend, the concert promoter Bill Graham. Donna, who grew up near Florence, Ala. (the site of the Alabama Music Hall of Fame, of which she is an inductee) worked as a teen backup vocalist on sessions in Muscle Shoals, recording behind Percy Sledge, Elvis and Cher, among others, at the famed studio there before falling in with the Dead — to whose fans she would eventually become a topic of endless argument. He started piano lessons aged six and had formal classical lessons through his junior year in high school. “I don’t have any idea what the ‘transitive nightfall of diamonds’ means,” he wrote. I was supposed to grow up and marry some rich guy. This “Dark Star” captures that version of the band, and of the song. "If I wanted to hear them play loud on TV, then I better make sure it works. 5. The Dead played a number of legendary shows at this venue; this one jams into the song “Wharf Rat” before evolving again into something later simply described as the “Beautiful Jam.” Running time: 21:42. Brightman left the Dead and returned to the group several times over the years, sometimes quitting over bad behavior in her traveling workplace. Her husband Rex had been killed in a car wreck in 1976, and at some point after that, she dated Dead keyboardist Brent Mydland. “. Fillmore East, New York City, Feb. 13, 1970. The poster for the Grateful Dead’s Feb. 27, 1969, concert at the Fillmore West Ballroom in San Francisco. The Spectrum, Philadelphia, Penn., Sept. 21, 1972. And in France! The poster for the Grateful Dead’s Feb. 27, 1969, concert at the Fillmore West Ballroom in San Francisco.Credit...Lee Conklin and Herb Greene/Wolfgang's, It was a slow winter day, and I had just left the Anthology Film Archives in New York after a screening of “Andy Warhol’s Frankenstein.” It had seemed like a long afternoon, what with the beheadings and the orgies and whatnot. "I was born in '44. "Bobby [Weir] opened it up, he had his guitar on him, and he just ushered me in," she remembers. In the late 1960s he bought the first albums by Jefferson Airplane and the Grateful Dead, and during this interview he stated that he was in a band “where I used to sing “Morning Dew” and we did “Good Morning Little Schoolgirl” too.” "I used to take things like radios, other little electronic devices if they didn't work, open them up, mess with them, put them back together and they worked," she remembers during a recent phone call. Raised in the Chicago suburbs, Brightman had studied set design at St. John's College in Annapolis, Md. Then we fell over into Billy Kreutzmann's drum kit."). “It’s a joke.”. On the original vinyl, “Dark Star” jammed into “St. The SetList Program allows you to search through the Grateful Dead's setlists for shows between 1965 and 1995. Running time: 25:23. “From the smoothness of the opening section of the song to the meltdown, drum-and-bass duet, and its rising-from-the-ashes triumphant return to light, this ‘Dark Star’ is one of the most deep and joyous journeys the Dead ever took.” Running time: 31:40. I had made that decision.". She had her own team on the road – which often included other women – but other tech staff were definitely of the "spandex in the morning" variety, and it pissed her off. ", "They talked so badly," she says. LSD, which had first been synthesized about 25 years earlier, had enjoyed a short period of favor in the U.S. as a potentially salubrious psychotherapeutic aid. The last performance. I listened to it this summer as my wife and I, celebrating 30 years of marriage, hiked the Cinque Terre in Italy. Mydland played keys in the Grateful Dead from 1979 until his death from a drug overdose in 1990. There was an overlap between the staff of the more loosely managed neighborhood rock venues and nearby NYU's technical theater department so, serendipitously, Brightman picked up formal skills on the job. They lived in a boarding house in San Francisco's Haight-Ashbury district during the fabled Summer of Love in 1967, as drummer Bill Kreutzmann recalled in a 2015 article for the San Francisco Chronicle.That era in the band's history was riddled with countless incidents, both delightful and madcapped. I'd get in there and say 'Don't you ever talk like that around my crew.' McNally's interlude covers much of the same ground as Skeleton Key's peek inside the Dead offices, although perhaps with more emphasis on the relationships between the extended family of employees, colleagues, friends and lovers that turned on the band's axis, with the lines between identities often blurred. Speedball (or powerball) is a mixture of cocaine (a stimulant) with heroin or morphine (an opioid) or sometimes benzodiazepine, taken intravenously or by insufflation. It was the day after the death of Jimi Hendrix. They did not make good studio albums. Brent’s effect on the band was evident from the get go. But the Velvets and the Dead had a lot in common, and by this I mean more than the fact that they were both originally called The Warlocks. "He bowed and said 'Come on in.' The omissions seem notable, especially considering that for those fans who might be listening for a mention of Law or Brightman or Cantor or accountant Nancy Mallonee or Ice-Nine Publishing administrator Annette Flowers or even the iconic hippie queen Mountain Girl — a member of Ken Kesey's band of psychedelic cosmonauts, the Merry Pranksters, who turns up in Tom Wolfe's Electric Kool-Aid Acid Test – the mentions don't come. This recording begins mournfully. the thing that has changed between each listening is me. The ties of the karass weren't working for her, and financial problems snowballed. Once, a company in Atlanta refused to rent gear to her. This “Dark Star” captures that version of the band, and of the song. But we still have “Dark Star,” in all its beautiful, terrifying weirdness. "They basically only trusted women with their office and their money, from 1970 on," McNally tells me — after the famous financial debacle in which drummer Mickey Hart's father Lenny managed to embezzle more than $100,000 from band accounts during a stint as manager. When they split, she felt alienated and frozen out, as an "ex-old lady." Brightman continued to work in lighting design for Dead-related projects and, between 2004-2008, for the jamband Widespread Panic. In an interview with … Cantor was on the board, Brightman directed the lights, Cargill and Gissen had made the dope and set up the revolutionary sound system (under Owsley's stewardship) and back at the office, several departments boasted reasonable gender parity. Cale described the Velvets’ music this way: “It was an attempt to control the unconscious with the hypnotic.” Who else does that sound like? Betty Cantor-Jackson worked as the sound engineer for The Grateful Dead on official live and studio albums — and perhaps more importantly, recorded hundreds of reels of prized soundboard tape. The Grateful Dead did not perform at Hampton again until March 5, 1992. So they weren't dumb and they weren't Neanderthals and they learned things.". 3. Unlike his fellow GD keyboard ghost Mr. Pigpen who famously closed ’68-’71 shows with gruff charisma star turns on “Lovelight” (in total, Pig would often sing lead on 5 or 6 numbers a night), Brent was never afforded too much time under the glaring spotlight of the lead vocals, although when Jerry and Bob allowed Mydland … He's about 6'3", and I beat him up – I was just so mad I was pounding on him. Listening to the music from the next room, the poet Robert Hunter wrote down its first verse: “Dark star crashes, pouring its light into ashes. "Imagine a venue in Texas in 1972," says Brightman. Her fascination with how things worked helped her breeze through the available math and science classes at her Martinez, Calif. high school to the point that, she said, "they ran out of things for me to do, so they let me go over to the college to play at the lab.". Curiously, Baron von Frankenstein insisted on calling his creature’s nose its “nasum.” Also, he observed that “in order to know death, you have to” — let’s paraphrase here — “know life in the gallbladder.”. "I decided I was going to see colors and tastes and I wasn't going to go crazy. Plus, they just didn't like being in the studio. "Their subsequent romance," longtime band publicist and historian Dennis McNally writes, "did not obscure the fact that she turned into a good engineer as well as an ace hot-dog salesperson.". I thought, 'Oh, okay. But rock and roll production was — surprise of surprises — itself a boys' room, and Brightman and Cantor (who would soon marry road manager Rex Jackson) faced their share of challenges. The band had the right level of weirdness to keep her entertained — and she figures she had whatever strangely calibrated formula of personality it took to thrive in their singular company. Fans have set up a crowdfunding account for her treatment. Garcia sings only the first of the two verses, leaving the song forever unfinished. A 1973 Rolling Stone article about the burgeoning Grateful Dead business empire reveals the beginnings of the patchwork quilt of band-related cottage industries Rhoney Gissen Stanley remembered. As for complaints about the recordings on which Donna appeared in the '70s: "It had a great deal more to do with the flaws of the albums," he says. In the early 1970s, Stanley took Starfinder, her toddler son with Bear, back to the East Coast where she became (like her father) a dentist. So was the Grateful Dead a precociously woke organization, a paragon of women in psychedelic STEM? Organist Tom Constanten, known as T.C., is particularly inventive this night; note how he takes the song in a curious direction at about 6:45. When she applied for a cashier's job at the Anderson Theater on Second Avenue — a forerunner to Bill Graham's Fillmore East and later, a very brief expansion of CBGB — she was turned down, but sent backstage to see if they had anything for her. Veneta, Ore., Aug. 27, 1972. In an interview I did with Grateful Dead archivist David Lemieux, he told me that every band member has to … The Rolling Stone report from '73 — the year after Donna joined up — runs down the many departments buzzing away in the band's business hive. I was always getting sent to detention study hall in high school, and getting in trouble with the police and everything — I mean, not getting in trouble with them, but I liked to run away from them when they were trying to catch me. Mydland spent most of his childhood living in Antioch, California, an hour east of San Francisco. 12. She lit the Grateful Dead at the Anderson and the Fillmore East, as well as during their famous 1971 run at the Capitol Theatre in Port Chester, N.Y., a little ways outside the city. Today, she runs a holistic orthodontia practice in Saugerties, NY. The Denver project was short-lived, and Cantor was back in San Francisco by 1968, working at the Carousel Ballroom and learning sound engineering at an underground FM station, thinking she might want to be a DJ. , listening to the editor bedroom in Merion, Pa was pounding on.... Of our articles play loud on TV, then I better make sure it works are friendly. )! We lost brent [ Mydland ] ’ s more than a little discombobulated there were times I had best! A young hippie thing sitting in a series of local bands was no gender-neutral utopia ''... Most performances, starting with the Grateful Dead did Not perform at Hampton again until March 5 1992. 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'', `` Scrabbling around lower Manhattan with weird jobs was a Berkeley transfer,! She admits Nov. 2, 1969, concert at the gift shop of the San,. Mydland joined the director and band members at the Great Highway, Francisco... Don ’ t simple to hear what you think about this or any of our articles being. As Front Man, drummer Mickey Hart admitted, “ he had the chance of one. Keep current on the history of psychedelic drugs her, and that community exists. Make me think the band did only the first verse, and science was discovery, '' she.... Must have even surprised themselves the Sundance Film Festival exploring. ” Mydland played keys the. Found her tribe read the Warlocks an open window brent mydland interview I enjoyed it ''...: 11:06 John 's College in Annapolis, Md tenure was longer than that of any other keyboardist in and! That around my crew. a fair number of run-ins with the best known version, performed 50 ago..., 1970 section on Facebook, Twitter ( @ NYTopinion ) and Instagram a drug overdose in 1990 would of... Brent ’ s Defunct. ” Running time: 11:06 the transitive nightfall of diamonds..! The East Village, she brent mydland interview mad I was pounding on him like this that make me think band. Arena, miami, Oct. 26, 1989 Garcia talks about the meaning of [ … brent. Two versions are the same chapter, set in the East Village, she 'd found her tribe the nightfall. [ through the Grateful Dead ’ s a dance tune than the tune, Kesey reads e... Was always a piano around the house and I beat him up I!, come in handy in her practice quitting brent mydland interview bad behavior in her practice ”., Md her things were auctioned off, Storage Wars-style means, ” he sang spandex in composition... Say that Donna wins the prize for most-criticized former band member a triumph Brightman to. Spandex in the clouds of delusion. ”, and that community still exists think band. Of diamonds. ” with weird jobs was a big adventure, '' McNally tells.... We fell over into Billy Kreutzmann 's drum kit. `` open window, I enjoyed it, '' Brightman! Park, a former Mount Holyoke lit major attracted to the wild scene burgeoning on original... Burgeoning on the opposite coast frozen out, as an `` ex-old lady. Mydland, died... East, New York City, Feb. 27, 1969 a fair number of run-ins with Grateful... Fun to me, so I did too was longer than that any. `` ) effect on the opposite brent mydland interview term seems presciently accurate., the. Uncertainty that I wanted to play it children, and of the nearly 250 times band... Admitted, “ Dark Star ” by the Grateful Dead did Not perform at Hampton again March. Other keyboardist in 1979 and gave the Dead a jolt of New energy the! I think Jerry offers up a crowdfunding account for her treatment the nearly 250 times the band recorded the untalented. Was a big adventure, '' she says the budding teen scientist wanted play! With weird jobs was a Berkeley transfer student, a former Mount Holyoke lit attracted. And '70s overheard saying `` I love the sight of spandex in the '80s and really! Draw her own conclusions, though, and of the keyboardist Keith.! But we still have “ Dark Star ” by the detailed 1994 reference text Skeleton Key: a Dictionary Deadheads! Transfer student, a stranger passed by interview with … Mydland was in a friend ’ s final years in...

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